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Concert review: Coheed and Cambria | 09.25.26, The Pageant (with photo gallery)

By Laura JereleOctober 22, 2026October 21, 2026
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Death Becomes Her Knocks ’Em Dead… and the Dead Come Back For More | 10.13–25.26, Fabulous Fox Theatre

By Rob Von NordheimOctober 21, 2026October 20, 2026
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Concert review: Breaking Benjamin w/ Kami Kehoe, Starset & Chevelle | 09.25.26, Hollywood Casino Amphitheater (with photo gallery)

By Pariss BrownOctober 20, 2026October 20, 2026
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Concert review: Joy…uh…Finds a Way: Jeff Goldblum & the Mildred Snitzer Orchestra with the St. Louis Symphony Orchestra | 10.09.26, Powell Hall

By Melissa CynovaOctober 20, 2026October 19, 2026
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Franz (Cohen Media Group/ Kino Lorber, NR)

By Sarah BoslaughOctober 20, 2026October 22, 2026
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Pet Shop Boys | A Man from the Future (Parlophone/x2)

By Mike RengelOctober 19, 2026October 19, 2026
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Concert review: Violent Femmes | 09.19.26, The Factory (with photo gallery)

By Laura JereleOctober 18, 2026
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Drawing from Experience: In conversation with Diary of a Wimpy Kid’s Jeff Kinney

By Pariss BrownOctober 18, 2026October 17, 2026
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Criterion Backlist: Double Indemnity (1944, NR)

By Sarah BoslaughOctober 17, 2026October 8, 2026
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First Thought Fridays: Heavens to Betsy, Yuppy, Richard Thompson

By Jason GreenOctober 16, 2026October 17, 2026
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Case 137 (Film Movement, NR)

By Sarah BoslaughOctober 16, 2026October 16, 2026
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You Can See Everything (A24, R)

By George NapperOctober 16, 2026October 14, 2026
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The Arts STL is all about music, movies, comics, theater, books, and more.

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