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Author: Sarah Boslaugh

Criterion Backlist: Peeping Tom (1960, NR)

By Sarah BoslaughFebruary 1, 2025April 26, 2025
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By A Man’s Face Shall You Know Him (Film Movement Plus, NR)

By Sarah BoslaughJanuary 31, 2025January 20, 2025
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I, The Executioner (Film Movement Plus, NR)

By Sarah BoslaughJanuary 31, 2025January 20, 2025
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Loren & Rose (Amazon Prime, NR)

By Sarah BoslaughJanuary 28, 2025January 28, 2025
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Criterion Backlist: Don’t Look Now (R, 1973)

By Sarah BoslaughJanuary 25, 2025January 25, 2025
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Unstoppable (Amazon MGM Studios, PG-13)

By Sarah BoslaughJanuary 16, 2025January 15, 2025
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Ten Notable Foreign Films of 2024* | Sarah Boslaugh

By Sarah BoslaughJanuary 11, 2025January 11, 2025
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Ten Films That Hit Me Hard (but probably won’t win anything big) | Sarah Boslaugh

By Sarah BoslaughJanuary 10, 2025January 10, 2025
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Ten Notable* Documentaries for 2024 | Sarah Boslaugh

By Sarah BoslaughJanuary 9, 2025January 8, 2025
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Film Awards That Aren’t Given But Should Be, 2024 edition | Sarah Boslaugh

By Sarah BoslaughJanuary 8, 2025January 11, 2025
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Eight Favorite Graphic Novels of 2024* | Sarah Boslaugh

By Sarah BoslaughJanuary 6, 2025January 7, 2025
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Hervé Bourhis | The British Invasion (nbm)

By Sarah BoslaughDecember 17, 2024December 14, 2024
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The Arts STL is all about music, movies, comics, theater, books, and more.

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  • First Thought Fridays: Heavens to Betsy, Yuppy, Richard Thompson
  • Case 137 (Film Movement, NR)
  • You Can See Everything (A24, R)
  • Fontaines D.C. | Dopamine Chamber (XL Recordings)
  • Concert review: Amy Grant & Mac McAnally | 10.01.26 The Factory (with photo gallery)
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