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Author: Sarah Boslaugh

Criterion Backlist: Tokyo Olympiad (1965, NR)

By Sarah BoslaughJanuary 31, 2026January 31, 2026
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Criterion Backlist: Downhill Racer (1969, PG)

By Sarah BoslaughJanuary 24, 2026January 25, 2026
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Criterion Backlist: This Is Spinal Tap (1984, R)

By Sarah BoslaughJanuary 17, 2026January 17, 2026
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Criterion Backlist: Kind Hearts and Coronets (1949, NR)

By Sarah BoslaughJanuary 10, 2026November 11, 2025
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10 Notable Graphic Novels of 2025 | Sarah Boslaugh

By Sarah BoslaughJanuary 8, 2026January 8, 2026
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Criterion Backlist: Mississippi Masala (1991, R)

By Sarah BoslaughJanuary 3, 2026January 3, 2026
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10 Film Awards for 2025 That Aren’t Given But Should Be | Sarah Boslaugh

By Sarah BoslaughDecember 31, 2025January 1, 2026
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10 Notable Documentaries for 2025 | Sarah Boslaugh

By Sarah BoslaughDecember 30, 2025December 31, 2025
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10 Notable Feature Films for 2025 | Sarah Boslaugh

By Sarah BoslaughDecember 29, 2025December 29, 2025
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Criterion Backlist: The River (1951, NR)

By Sarah BoslaughDecember 27, 2025December 27, 2025
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Criterion Backlist: Spellbound (1945, NR)

By Sarah BoslaughDecember 20, 2025December 20, 2025
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Criterion Backlist: The Seventh Victim (1943, NR)

By Sarah BoslaughDecember 13, 2025December 15, 2025
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The Arts STL is all about music, movies, comics, theater, books, and more.

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  • Case 137 (Film Movement, NR)
  • You Can See Everything (A24, R)
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  • Concert review: Amy Grant & Mac McAnally | 10.01.26 The Factory (with photo gallery)
  • Bruce Cockburn | The Blood of Others (Sunset Boulevard Records)
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